“Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept.....I have danced with the spider. I have cut a caper with the dancing mad god.”

“I have danced with the spider. I have cut a caper with the dancing mad god.”

“For every action, there's an infinity of outcomes. Countless trillions are possible, many milliards are likely, millions might be considered probable, several occur as possibilities to us as observers - and one comes true.”

“I learned to pick up each piece, one at a time, from my pile of potential matches and try to fit it from any angle into the socket, then discard it and move on. Each failure is meaningless. It's not me, it's the pieces, and I have to, absolutely must, try each and every piece every possible way until I find one that fits. They aren't failures, they're steps, small bits of progress.”

“They live beyond the quick ghetto. In hovels. In the shantytown.' He smiled. 'And every night, after the sun's descended, they can crawl safely out from their shacks and shuffle into the town. Stick-figures in rags, leaning against the walls. Exhausted and starving, hands outstretched. Begging.' His voice was soft and vicious. 'Begging for the quick to take pity on them. And every so often one of us will acquiesce, and out of pity and contempt, embarrassed by our soft philanthropy, we'll stand in the eaves of a building and offer up our wrists. And you and your kind will open them, all frantic with hunger and fawning with gratitude, and take a few eager swigs, till we decide you've had enough and take back our hands while you weep and beg for more, and maybe spew because you've gone without a hit so long your stomach can't handle what it craves, and we leave you lying in the dirt, blissed by your little fix.”

“Some midnight-of-all or other [apocalypse] was predicted every few days or nights. Most came to nothing, leaving relevant prophets cringing with a unique embarrassment as the sum rose. It was a very particular shame, that of now ex-worshippers avoiding each other's eyes in the unexpected aftermath of 'final' acts -- crimes, admissions, debaucheries and abandon.”

“Making a dance is about taking what's unseen in the world and giving it form. It's not about pretty steps.""I thought it was."Eva laughs. "The piece doesn't have to end nicely, either. Life isn't pretty - why should every dance be?”