“Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd.”

“Oh, bullshit. This isn't one of those stories, Avice. One moment of cack-handedness, Captain Cook offends the bloody locals, one slip of the tongue or misuse of sacred cutlery, and bang, he's on the grill. Do you ever think about how self-aggrandising that stuff is? Oh, all those stories pretending to be mea culpas about cultural insensitivity, oops, we said the wrong thing, but they're really all about how ridiculous natives overreact. Avice, we must have made thousands of fuckups like that over the years. Think about it. Just like our visitors did when they first met our lot, on Terre. And for the most part we didn't lose our shit, did we?”

“The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.”

“There's something intrinsically radical about the fantastic aesthetic - starting from the premise that the impossible is true, attempting to undermine expectations.”

“He had since forever been working on a book called Uncanny Blossom. When Leon had told him, Billy had said, “I had no idea you were entering the Shit Title Olympics.” “If you didn’t swim in your sump of ignorance you’d know that title’s designed to fuck with the French. Neither word’s translatable into their ridiculous language.”

“I know, I know," Moore said. "Mad beliefs like that, eh? Must be some metaphor, right? Must mean something else?" Shook his head. "What an awfully arrogant thing. What if faiths are exactly what they are? And mean exactly what they say?" "Stop trying to make sense of it and just listen," Dane said."And what," Moore said, "if a large part of the reason they're so tenacious is that they're perfectly accurate?”

“Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.”