“I would be quite satisfied if my novels (especially the ones I set in the past) did no more than teach my readers that their past - with all its imperfections - was not one long night of savagery from which the first Europeans acting on God's behalf delivered them”

“In my lifetime I was to write only one book, this would be the one. Just as the past Lingers in the present, all my writings after night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear it's stamp, and cannot be understood if one has not read this very first of my works. Why did I write it? Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of the madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?”

“and in that one night's wickedness I drowned all my repentance,all my reflections upon my past conduct,and all my resolution for the future.”

“I believed that by fixing it down in words, I could force sense from all that had happened, that effect would follow cause, and the reason for each event come clear to me. But then I returned one day, to find all my careful scribing gone to fragments of vellum lying in a trampled yard with wet snow blowing over them. I sat my horse, looking down at them, and knew that, as it always would, the past had broken free of my effort to define and understand it. History is no more fixed and dead than the future. The past is no further away than the last breath you took.”

“Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed....Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never.”

“To write a novel is fundamentally an act of impudence. To comb one's hair is also an act of impudence, especially when it's done to try to cover a scar running across the top of one's forehead. But combing one's hair is an act of minor impudence, whereas writing is a more serious affair. We mask reality, we hide our fears, we reinvent things that have been said, and above all, the people who said them. Writing a novel implies a certain perversity. It's not something one can do with a tortoiseshell comb. It is perhaps for that reason that they take away my pen at night. Not, as they pretend, to prevent me from accidentally stabbing myself in the throat with it- but to prevent me from killing anyone else.”