“It was altogether a different story now. Abhilasha started coming out of the cold aloofness which had become her second nature, while for Arvind, it was like ‘fiddle found a melody’. He was in love with his life again. With their growing intimacy, came the desire to meet each other. And at last it materialised when they fixed a date for meeting. The long awaited day came. A sleepless night of nervous apprehension, culminated at dawn, as Abhilasha could no longer lie down. While there was much excitement at the prospect of meeting him but the possibility of a probable mismatch between the real Arvind and the virtual one, loomed large on her mind, making her feel nervous.”

“Now Hadley presses her forehead against the window of the taxi and once again finds herself smiling at the thought of him. He's like a song she can't get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesn't think she could ever get tired of hearing it.”

“And now, while he didn't particularly think any of these stories was a bit truer, he did realize that he didn't really know his wife at all; and that in fact the entire conception of knowing another person--of trust, of closeness, of marriage itself--while not exactly a lie since it existed someplace if only as an idea (in his parents' life, at least marginally) was still completely out-of-date, defunct, was something typifying another era, now unfortunately gone. Meeting a girl, falling in love, marrying her, moving to Connecticut, buying a fucking house, starting a life with her and thinking you really knew anything about her--the last part was a complete fiction, which made all the rest a joke.”

“As the dawn loves the sunlight that must ceaseEre dawn again may rise and pass in peace;Must die that she being dead may live again,To be by his new rising nearly slain.So rolls the great wheel of the great world round,And no change in it and no fault is found,And no true life of perdurable breath,And surely no irrevocable death.Day after day night comes that day may break,And day comes back for night’s reiterate sake.Each into each dies, each of each is born:Day past is night, shall night past not be morn?Out of this moonless and faint-hearted nightThat love yet lives in, shall there not be light?Light strong as love, that love may live in yet?Alas, but how shall foolish hope forgetHow all these loving things that kill and dieMeet not but for a breath’s space and pass by?Night is kissed once of dawn and dies, and dayBut touches twilight and is rapt away.So may my love and her love meet once more,And meeting be divided as of yore.Yea, surely as the day-star loves the sunAnd when he hath risen is utterly undone,So is my love of her and hers of me—And its most sweetness bitter as the sea.”

“He’s like a song she can’t get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesn’t think she could ever get tired of hearing it.”

“For, like desire, regret seeks not to be analysed but to be satisfied. When one begins to love, one spends one’s time, not in getting to know what one’s love really is, but in making it possible to meet next day. When one abandons love one seeks not to know one’s grief but to offer to her who is causing it that expression of it which seems to one the most moving. One says the things which one feels the need of saying, and which the other will not understand, one speaks for oneself alone. I wrote: 'I had thought that it would not be possible. Alas, I see now that it is not so difficult.' I said also: 'I shall probably not see you again;' I said it while I continued to avoid shewing a coldness which she might think affected, and the words, as I wrote them, made me weep because I felt that they expressed not what I should have liked to believe but what was probably going to happen.”