“Bach's music confront the player and the audience in a very alone way, and I try at that moment to put away pretensions-in levels of violin playing, pretensions of being a strong man, of being invulnerable- and instead say, 'this is where all of us us have common ground'. of the time we try to tell ourselves 'I'm confident' or 'I'm doing well'. But then, in a moment alone at home, you feel how close you are to some kind of abyss”

“Most of the time, we try to tell ourselves "I'm confident" or "I'm doing well." But then, in a moment alone at home, you feel how close you are to some kind of abyss.”

“I tell you that I like being this close to you and how you feel against me. But now even I'm hesitant. I'm afraid that when we hit the ground, this will be over. We'll land and this feeling between us will vanish. That you won't feel it any longer. I can't stand that thought.”

“Music, even at terrible moments, can make you accept so much more- accept your dark sides, or the things that happened to you. Maybe it's just because you see that we are not alone. And that's what the concert situation is about for me, when I'm sitting in the hall and also when I'm playing myself. It's about communication - I almost want to say 'communion'. As a player, you really don't interpret anymore. You listen, together, with the audience.”

“A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.”

“Life isn’t a music player where you choose whats being played, it is a radio where you have to enjoy whats being played.”