“Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that was not at all so in my own case. It was only when I watched Alexander [my own son] being born that I knew at once that my own funeral director had very suddenly, but quite unmistakably, stepped onto the stage. I was surprised by how calmly I took this, but also by how reluctant I was to mention it to my male contemporaries.”

“Stuck in my own trap of writing about a nonsubject, I think I can defend my own self-respect, and also the integrity of a lost girl, by saying two things. First, the trivial doings of Paris Hilton are of no importance to me, or anyone else, and I should not be forced to contemplate them. Second, she should be left alone to lead such a life as has been left to her. If this seems paradoxical, then very well.”

“So, whenever the subject of Iraq came up, as it did keep on doing through the Clinton years, I had no excuse for not knowing the following things: I knew that its one-party, one-leader state machine was modeled on the precedents of both National Socialism and Stalinism, to say nothing of Al Capone. I knew that its police force was searching for psychopathic killers and sadistic serial murderers, not in order to arrest them but to employ them. I knew that its vast patrimony of oil wealth, far from being 'nationalized,' had been privatized for the use of one family, and was being squandered on hideous ostentation at home and militarism abroad. (Post-Kuwait inspections by the United Nations had uncovered a huge nuclear-reactor site that had not even been known about by the international community.) I had seen with my own eyes the evidence of a serious breach of the Genocide Convention on Iraqi soil, and I had also seen with my own eyes the evidence that it had been carried out in part with the use of weapons of mass destruction. I was, if you like, the prisoner of this knowledge. I certainly did not have the option of un-knowing it.”

“In Sarajevo in 1992, while being shown around the starved, bombarded city by the incomparable John Burns, I experienced four near misses in all, three of them in the course of one day. I certainly thought that the Bosnian cause was worth fighting for and worth defending, but I could not take myself seriously enough to imagine that my own demise would have forwarded the cause. (I also discovered that a famous jaunty Churchillism had its limits: the old war-lover wrote in one of his more youthful reminiscences that there is nothing so exhilarating as being shot at without result. In my case, the experience of a whirring, whizzing horror just missing my ear was indeed briefly exciting, but on reflection made me want above all to get to the airport. Catching the plane out with a whole skin is the best part by far.) Or suppose I had been hit by that mortar that burst with an awful shriek so near to me, and turned into a Catherine wheel of body-parts and (even worse) body-ingredients? Once again, I was moved above all not by the thought that my death would 'count,' but that it would not count in the least.”

“Gore Vidal, for instance, once languidly told me that one should never miss a chance either to have sex or to appear on television. My efforts to live up to this maxim have mainly resulted in my passing many unglamorous hours on off-peak cable TV. It was actually Vidal's great foe William F. Buckley who launched my part-time television career, by inviting me on to Firing Line when I was still quite young, and giving me one of the American Right's less towering intellects as my foil. The response to the show made my day, and then my week. Yet almost every time I go to a TV studio, I feel faintly guilty. This is pre-eminently the 'soft' world of dream and illusion and 'perception': it has only a surrogate relationship to the 'hard' world of printed words and written-down concepts to which I've tried to dedicate my life, and that surrogate relationship, while it, too, may be 'verbal,' consists of being glib rather than fluent, fast rather than quick, sharp rather than pointed. It means reveling in the fact that I have a meretricious, want-it-both-ways side. My only excuse is to say that at least I do not pretend that this is not so.”

“Suppose that we agree that the two atrocities can or may be mentioned in the same breath. Why should we do so? I wrote at the time (The Nation, October 5, 1998) that Osama bin Laden 'hopes to bring a "judgmental" monotheism of his own to bear on these United States.' Chomsky's recent version of this is 'considering the grievances expressed by people of the Middle East region.' In my version, then as now, one confronts an enemy who wishes ill to our society, and also to his own (if impermeable religious despotism is considered an 'ill'). In Chomsky's reading, one must learn to sift through the inevitable propaganda and emotion resulting from the September 11 attacks, and lend an ear to the suppressed and distorted cry for help that comes, not from the victims, but from the perpetrators. I have already said how distasteful I find this attitude. I wonder if even Chomsky would now like to have some of his own words back? Why else should he take such care to quote himself deploring the atrocity? Nobody accused him of not doing so. It's often a bad sign when people defend themselves against charges which haven't been made.”

“Plainly, this unwillingness to give ground even on unimportant disagreements is the symptom of some deepseated insecurity, as was my one-time fondness for making teasing remarks (which I amended when I read Anthony Powell's matter-of-fact observation that teasing is an unfailing sign of misery within) and as is my very pronounced impatience. The struggle, therefore, is to try and cultivate the virtuous side of these shortcomings: to be a genial host while only slightly whiffled, for example, or to be witty at the expense of one's own weaknesses instead of those of other people.”