“The bat was looking at Theo and Theo was having trouble following his own thoughts.The bat was wearing tiny sunglasses.Ray Bans,Theo could see by the trademark in the corner of one lens."I'm sorry, Mr.,uh- Case, could you take the bat off your head.It's very distracting."Him."Pardon?"It's a him.Roberto.He no like the light.”

“Yeah, and don't think it's easy finding Ray-Bans in a fruit-bat medium.”

“Let's bat that nun out of the dog park!”

“For a while he'd tried molding himself into the tragic Romantic hero, brooding and staring clench-jawed off into space as he composed dark verse in his head. But it turned out that trying to appear tragic in Incontinence, Indiana, was redundant, and his mother kept shouting at him and making him forget his rhymes. "Tommy, if you keep grinding your teeth like that, they'll wear away and you'll have to have dentures like Aunt Ester." Tommy only wished his beard was as heavy as Aunt Ester's---then he could stare out over the moors while he stroked it pensively.”

“Mr. Fresh looked up. "The book says if we don't do our jobs everything could go dark, become like the Underworld. I don't know what the Underworld is like, Mr. Asher, but I've caught some of the road show from there a couple of times, and I'm not interested in finding out. How 'bout you?""Maybe it's Oakland," Charlie said."What's Oakland?""The Underworld.""Oakland is not the Underworld!""The Tenderloin?" Charlie suggested.”

“Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater’s revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist’s soul but no talent. He possessed the angst and the inspiration, but not the means to create.”

“'Paint only what you see,' his hero Millet had admonished.'Imagination is a burden to a painter,' Auguste Renoir had told him. 'Painters are craftsmen, not storytellers. Paint what you see.'Ah, but what they hadn't said, hadn't warned him about, was how much you could see.”