“ARTHUR: He's out.ARIADNE: Wait, Cobb-I'm lost. Whose subconscious are we going into?COBB: Fischer's. I told him it was Browning's so he'd come with us as part of our team.ARTHUR: (impressed) He's going to help us break into his own subconscious.COBB: That's the idea. He'll think that his security is Browning's and fight them to learn the truth about his father.”

Christopher Nolan

Christopher  Nolan - “ARTHUR: He's out.ARIADNE: Wait...” 1

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“EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind...EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him.ARTHUR: (impressed) So he gives himself the idea.EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated.ARTHUR: Eames, I'm impressed.EAMES: Your condescension, as always, is much appreciated, Arthur.”

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“COBB: What do you want from us? SAITO: Inception. Arthur raises his eyebrows. Cobb is poker-faced. SAITO: Is it possible? ARTHUR: Of course not. SAITO: If you can steal an idea from someone's mind, why can't you plant one there instead? ARTHUR: Okay, here's planting an idea: I say to you, "Don't think about elephants." (Saito nods) What are you thinking about? SAITO: Elephants. ARTHUR: Right. But it's not your idea because you know I gave it to you. SAITO: You could plant it subconsciously- ARTHUR: The subject's mind can always trace the genesis of the idea. True inspiration is impossible to fake. COBB: No, it isn't. SAITO: Can you do it? COBB: I won't do it. SAITO: In exchange, I'll give you the information you were paid to steal. COBB: Are you giving me a choice? Because I can find my own way to square things with Cobol. SAITO: Then you do have a choice. COBB: And I choose to leave.”

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“ARIADNE: Why are they looking at me?COBB: Because you're changing things. My subconscious feels that someone else is creating the world. The more you change things, the quicker the projections converge on you.ARIADNE: Converge?COBB: They feel the foreign nature of the dreamer, and attack-like white blood cells fighting an infection.ARIADNE: They're going to attack us?COBB: Just you, actually.”

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“ARTHUR: What happened?ARIADNE: Cobb stayed.ARTHUR: With Mal?ARIADNE: No. To find Saito.Arthur looks out at the water below the bridge.ARTHUR: He'll be lost...ARIADNE: No. He'll be alright.”

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“EAMES: There's a man here. Yusuf. He formulates his own versions of the compound.COBB: Let's go see him.EAMES: Once you've lost your tail.(Cobb reacts)Back by the bar, blue tie. Came in about two minutes after we did.COBB: Cobol Engineering?EAMES: They pretty much own Mombasa.Cobb glances over the balcony. COBB: Run interference. We'll meet downstairs in half an hour.EAMES: Back here?COBB: Last place they'd expect.Eames downs his drink. Rises. Walks over to the Businessman.EAMES: Freddy!The Businessman looks up, awkward.EAMES: Freddy Simmonds, it is you!Cobb nonchalantly SLIPS over the balcony DROPPING HARD into the midst of the crowd on the street below.EAMES: (looks harder) Oh. No, it isn't.The Businessman looks past Eames but Cobb has vanished.”

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