“ARTHUR: The only way to wake up from inside the dream is to die.”
“EAMES: Shouldn't be afraid to dream a little bigger, Arthur-Eames lines up a shot with a grenade launcher. Fires- the sniper EXPLODES into the air- Arthur looks at Eames.EAMES: Shall we?”
“EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind...EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him.ARTHUR: (impressed) So he gives himself the idea.EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated.ARTHUR: Eames, I'm impressed.EAMES: Your condescension, as always, is much appreciated, Arthur.”
“COBB: Our dreams feel real while we're in them. It's only when we wake we realize things were strange.Ariadne gestures around them-ARIADNE: But all the textures of real life-the stone, the fabric... cars... people... your mind can't create all this.COBB: It does. Every time you dream. Let me ask you a question: You never remember the beginning of your dreams, do you? You just turn up in the middle of what's going on.ARIADNE: I guess.COBB: So... how did we end up at this restaurant?”
“COBB: What do you want from us? SAITO: Inception. Arthur raises his eyebrows. Cobb is poker-faced. SAITO: Is it possible? ARTHUR: Of course not. SAITO: If you can steal an idea from someone's mind, why can't you plant one there instead? ARTHUR: Okay, here's planting an idea: I say to you, "Don't think about elephants." (Saito nods) What are you thinking about? SAITO: Elephants. ARTHUR: Right. But it's not your idea because you know I gave it to you. SAITO: You could plant it subconsciously- ARTHUR: The subject's mind can always trace the genesis of the idea. True inspiration is impossible to fake. COBB: No, it isn't. SAITO: Can you do it? COBB: I won't do it. SAITO: In exchange, I'll give you the information you were paid to steal. COBB: Are you giving me a choice? Because I can find my own way to square things with Cobol. SAITO: Then you do have a choice. COBB: And I choose to leave.”
“ARTHUR: It'd have to be a 747.COBB: Why?ARTHUR: On a 747 the pilots are up above, first class is in the nose so nobody walks through the cabin. We'd have to buy out the whole cabin, and the first class flight attendant-SAITO: We bought the airline.Everyone turns to Saito.SAITO: It seemed... neater.”
“ARTHUR: How do we get out once we've made the plant?(to Cobb)I hope you've got something a little more elegant than shooting me in the head like last time.Arthur tilts back in his chair. Yusuf turns to Cobb.COBB: A kick.ARIADNE: What's a kick?Eames slips his foot under Arthur's chair leg. TIPS it- Arthur's legs SHOOT UP INSTINCTIVELY for balance-EAMES: That, Ariadne, would be a kick.COBB: That feeling of falling which snaps you awake. We use that to jolt ourselves awake once we're done.”