“ARTHUR: What happened?ARIADNE: Cobb stayed.ARTHUR: With Mal?ARIADNE: No. To find Saito.Arthur looks out at the water below the bridge.ARTHUR: He'll be lost...ARIADNE: No. He'll be alright.”

“So, Ariadne was the babe with the ball of twine and the plan.”

“plot is not the story, but an Ariadne's thread you follow through a labyrinth of scenes.”

“ARIADNE: Why are they looking at me?COBB: Because you're changing things. My subconscious feels that someone else is creating the world. The more you change things, the quicker the projections converge on you.ARIADNE: Converge?COBB: They feel the foreign nature of the dreamer, and attack-like white blood cells fighting an infection.ARIADNE: They're going to attack us?COBB: Just you, actually.”

“ARIADNE: Do you use a timer? ARTHUR: No, I have to judge it myself. Once you're all asleep in room 528, I wait 'til Yusuf starts his kick...ARIADNE: How will you know?ARTHUR: His music warns me it's coming, then the van hitting the barrier of the bridge should be unmistakable-that's when I blow the floor out from underneath us and we get a nice synchronized kick. Too soon, and we won't get pulled out; too late and I won't be able to drop us.ARIADNE: Why not?ARTHUR: The van will be in free fall. I can't drop us without gravity.”

“ARTHUR: How do we get out once we've made the plant?(to Cobb)I hope you've got something a little more elegant than shooting me in the head like last time.Arthur tilts back in his chair. Yusuf turns to Cobb.COBB: A kick.ARIADNE: What's a kick?Eames slips his foot under Arthur's chair leg. TIPS it- Arthur's legs SHOOT UP INSTINCTIVELY for balance-EAMES: That, Ariadne, would be a kick.COBB: That feeling of falling which snaps you awake. We use that to jolt ourselves awake once we're done.”