“And I say no. The problem is the light, the dim light down here. Cupped in the palm of my hand, the cyanide and the wood pill, I can't tell which is which. What's sex and what's death—I can't tell the difference.I ask which one to give her.And Mr. Bacardi leans in to look, both of us breathing hot, damp air into my open hand.”

“Will my eyes adjust to this darkness? Will I find you in the dark – not in the streaks of light which remain, but in the darkness? Has anyone ever found you there? Did they love what they saw? Did they see love? And are there songs for singing when the light has gone dim? Or in the dark, is it best to wait in silence?Noon has darkened. As fast as they could say, ‘He’s dead,’ the light dimmed. And where are you in the darkness? I learned to spy you in the light. Here in this darkness, I cannot find you. If I had never looked for you, or looked but never found, I would not feel this pain of your absence. Or is not your absence in which I dwell, but your elusive troubling presence?It’s the neverness that is so painful. Never again to be here with us – never to sit with us at the table…. All the rest of our lives we must live without him. Only our death can stop the pain of his death.”

“Where the road sloped upward beyond the trees, I sat and looked toward the building where Naoko lived. It was easy to tell which room was hers. All I had to do was find the one window toward the back where a faint light trembled. I focused on that point of light for a long, long time. It made me think of something like the final throb of a soul's dying embers. I wanted to cup my hands over what was left and keep it alive. I went on watching the way Jay Gatsby watched that tiny light on the opposite shore night after night.”

“I can't sit still and see another man slaving and working. I want to get up and superintend, and walk round with my hands in my pockets, and tell him what to do. It is my energetic nature. I can't help it.”

“You asked me once what I see when I look into my future.” He slid his palm down her shoulder and took her hand. “I see you”

“Look at me and tell me you don't want me to kiss you. Tell me you don't like it when I do this," he said, running his hand down my arm. "Tell me you don't like it when I touch your face." HE brushed his hands on both of my cheeks, moving up to my forehead and then back down. HE rubbed both thumbs over my lips. "Tell me you don't like it when I do this." He leaned hisjead closer, stopping just short of my lips. "Tell me to stop and I will. You're in charge, Missy.”