“You take enough blasting gelatin and wrap the foundation columns of anything, you can topple any building in the world. You have to tamp it good and tight with sandbags so the blast goes against the column and not out into the parking garage around the column.This how-to stuff isn't in any history book.”

“Last month I was banging on about how books were better than anything—-how just about any decent book you picked would beat up anything else, any film or painting or piece of music, you cared to match it up with. Anyway, like most theories advanced in this column, it turned out to be utter rubbish. I went to a couple of terrific exhibitions at the Royal Academy (and that’s a hole in my argument right there—one book might beat up one painting, but what chance has one book, or even four books, got against the collected works of Guston and Vuillard?)...”

“There are two kinds of books in the world--the boring kind they make you read in school and the interesting kind that they won't let you read in school because then they would have to talk about real stuff like sex and divorce and is there a God and if there isn't then what happens when you die, and how come the history books have so many lies in them.”

“Both observer and observed are parts of the world that has an objective existence, and any distinction between them has no meaningful significance. In other words, if you see a herd of zebras fighting for a spot in the parking garage, it is because there really is a herd of zebras fighting for a spot in the parking garage.”

“You can't make any one person your world. The trick is to take what each can give you and build a world from it.”

“My novel is about the history of the world, told from the point of view of a column of stone.”