“When a woman is frozen of feeling, when she can no longer feel herself, when her blood, her passion, no longer reach the extremities of her psyche, when she is desperate; then a fantasy life is far more pleasurable than anything else she can set her sights upon. Her little match lights, because they have no wood to burn, instead burn up the psyche as though it were a big dry log. The psyche begins to play tricks on itself; it lives now in the fantasy fire of all yearning fulfilled. This kind of fantasizing is like a lie: If you tell it often enough, you begin to believe it.”

“At the moment when her eyes closed, when all feeling vanished in her, she thought that she felt a touch of fire imprinted on her lips, a kiss more burning than the red-hot iron of the executioner.”

“Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.”

“I know about love. I know about wanting and dreaming and wishing with every piece of your soul. I know enough to recognize the parts that are real and the parts that are only fantasy.' ... 'Like when she cries and my heart tears into little shreds and all I can think about is making her forget the source of her saddness.' ... 'Thats real.' ... 'And fantisy?' 'Believing she might ever feel the same way.' ... 'Why didn't you tell her? The girl you love. Why didn't you tell her how you feel?' ... 'Because,' ... 'she doesn't want to know.”

“His kiss burned hotter, coaxed harder than it had done earlier and she responded in kind. Her arms crept higher. Up and up again, she allowed her fingers to wander, over the broad expanse of his chest and along the strong and solid column of his neck. She fulfilled the fantasies of a thousand nights when she slid her fingers home—into the thick, silken strands of his hair.”

“I swear you can see in Juliet's eyes that she knows she's going to die because of how she feels for this guy.I think, this scene is where the true tragedy lives. It's not because they both die in the end. The tragedy is all right there…in the very beginning. When he smiles at her. When she instantly forgets.Forgets how dangerous he is.You can't blame her for how it plays out. Romeo's so amazing in this movie—what he says to her—how he looks at her. She's obviously drowning in butterflies.I know for a fact now, butterflies like that can be horrible, beautiful things.”