“I don't have a poetry section in the bookshop.(Don't have but should have, I have begun to think. The poetry, like everything else, is scattered thematically in a generally successful attempt to encourage punters to walk the circle, reading shelves which, if more conventionally arranged, they might feel happy to skip. But poetry - unlike fiction, biography, drama, history - continues to be generically in demand. It's not a question, as I used to assume, of no one reading poetry; more a matter of people who read poetry liking little else. They need a Section.)”

“I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.”

“I've never loved any one else the way I love you. I'm full of poetry now. Rot and poetry. Rotten poetry.''Stop it. Harry, why do you have to turn into a devil now?''I don't like to leave anything,' the man said. 'I don't like to leave things behind.”

“People who read poetry have heard about the burning bush, but when you write poetry, you sit inside the burning bush.”

“For a lot of people, poetry tends to be dull. It's not read much. It takes a special kind of training and a lot of practice to read poetry with pleasure. It's like learning to like asparagus.”

“(W)hy is poetry wholly an elderly taste? When I was twenty I could not for the life of me read Shakespeare for pleasure; now it lights me as I walk to think I have two acts of King John tonight, and shall next read Richard the Second. It is poetry that I want now -- long poems. I want the concentration and the romance, and the words all glued together, fused, glowing; having no time to waste any more on prose. When I was twenty I liked Eighteenth Century prose; now it's poetry I want, so I repeat like a tipsy sailor in the front of a public house.”