“He [Mihaly Babits] hoped that some god might offer a bed to the river of words which rose to his lips, so that it might flow between ordered banks to the sea, there to vanish.”

“The great commander can certainly move fast and strike like lightning, but his art of war consists first and foremost in moderation, measured geometric order, carefully weighed-up knowledge of circumstances and rules, a tranquil 'thinking things over'; without this there is little use in being acquainted with that 'infinity of situations' in which a soldier finds himself.”

“The great commander knows that in order to win one needs to know the remote and also the immediate reasons for the war, the capacities of the soldiers, which is to say the social and political make-up of the states, determining the variety, the quality and the character of the men.”

“There are many hostelries in his report, which is the true account of an expedition.”

“Great poetry is capable of dealing with erotic passion, but it has to be the very greatest to represent that deeper and more tortuous love -- more rooted, more absolute -- which we devote to our children, and which it is so hard to talk about.”

“[E]very journey is played out between standstill and flight.”

“Speaking of the capitulation of Bulgaria, an event decisive to the outcome of the First World War and therefore to the end of a civilisation, Count Karolyi writes that while he was living through it he did not realise its importance, because "at that moment, 'that moment' had not yet become 'that moment'". The same is true in fiction for Fabrizio del Dongo, concerning the battle of Waterloo: while he is fighting it, it does not exist. In the pure present, the only dimension, however, in which we live, there is no history. At no single instant is there such a thing as the Fascist period or the October revolution, because in that fraction of a second there is only the mouth swallowing saliva, the movement of a hand, a glance at the window. ”