“Judge not,' it has been said, but being a juryman can be a pleasant occupation when one is not weighing up human actions and years in prison, but the books or the wines of the season.”

“The great commander can certainly move fast and strike like lightning, but his art of war consists first and foremost in moderation, measured geometric order, carefully weighed-up knowledge of circumstances and rules, a tranquil 'thinking things over'; without this there is little use in being acquainted with that 'infinity of situations' in which a soldier finds himself.”

“Conviction, as Michelstaedter wrote, is the present possession of one's own life and one's own person, the ability to live each moment to the full, not goading oneself madly into burning it up fast and using it with a view to an all too imminent future, thus destroying it in the hope that life -- the whole of life -- may pass swiftly.”

“The great commander knows that in order to win one needs to know the remote and also the immediate reasons for the war, the capacities of the soldiers, which is to say the social and political make-up of the states, determining the variety, the quality and the character of the men.”

“Great poetry is capable of dealing with erotic passion, but it has to be the very greatest to represent that deeper and more tortuous love -- more rooted, more absolute -- which we devote to our children, and which it is so hard to talk about.”

“The courage to put an end to war, to see the abysmal stupidity of it, is certainly no less than that needed to start one.”

“It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.”