“And to think, she'd once had the hots for him, back in the old days (six months ago) when razor-thin men with noses like Durante and an encyclopaedic knowledge of de Niro movies had really been her style. Now she saw him for what he was, flotsam from a lost ship of hope. Still a pill-freak, still a theoretical bisexual, still devoted to early Polanski movies and symbolic pacifism.”

“And the stories she'd been told, were they confessions of uncommitted crimes, accounts of the worst imaginable, imagined to keep fiction from becoming fact? The thought chased its own tail: these terrible stories still needed a first cause, a well-spring from which they leaped... Were these inventions common currency, as Purcell had claimed? Was there a place, however small, reserved in every heart for the monstrous?”

“She had opened a door... and now she was walking with demons. And at the end of her travels, she would have her revenge... Pain had made a sadist of her.”

“She'd taken the harlot century she'd been born into for granted, knowing no other, but now-seeing it with his eyes, hearing it with his ears-she understood it afresh; saw just how desperate it was to please, yet how dispossessed of pleasure; how crude, even as it claimed sophistication; and, despite it's zeal to spellbind, how utterly unenchanting.”

“Peter Pan has to be the book of my childhood. Come to think of it, it's the book of my adulthood too. It's a book which, in the reading of it, takes me back to editions that I've had and lost, with various illustrators' work in them. It brings back moments sitting reading it with my mother. It brings back my first contact with the Disney cartoon. It brings back standing in the play-yard when I was a kid, when the wind was really blowing, and closing my eyes, spreading my arms and pretending I could fly. It brings back childhood dreams of flying. It brings back the first encounter I ever had with an invented world... Never Never Land was really the first journey I took to an invented world which I believed in wholly and completely. I remember the immense solidarity that I felt with the Lost Boys, with Peter, with the Indians - how much I wanted to be a Red Indian - how much the saving of Tiger Lily meant to me as a kid, how much I wanted to one day wake up and save an Indian squaw from drowning.”

“Well, here he was. They could save each other, the way the poets promised lovers should. He was mystery, he was darkness, he was all she had dreamed of. And if she would only free him he would service her - oh yes - until her pleasure reached that threshold that, like all thresholds, was a place where the strong grew stronger, and the weak perished. Pleasure was pain there, and vice versa. And he knew it well enough to call it home.”

“So discretion was the by-word. They would take meant only when the hunger became crippling, and only then victims who were unlikely to be missed. They would refrain from infecting others, so as no to advertise their presence. if one was found, no other would risk exposure by going to his aid. Hard laws o live by, but not as hard as the consequences of breaking them. The rest was patience, and they were well used to that. Their liberator would come eventually, if they could only survive the wait. Few had any clue as to the shape he'd come in. But all knew his name. Cabal, he was called. Who Unmade Midian. Their prayers were full of him. On the next wind, let him come. If not now, then tomorrow. They might not have prayed so passionately had they known what a sea change his coming would bring. They might not have prayed at all had the know they prayed to themselves. But these were revelations for a later day. For now, they had simpler concerns. Keeping the children from the roofs at night, the bereaved from crying out too loud, the young in summer from falling in love with the human. It was a life.”