“Darkness always had its part to play. Without it, how would we know when we walked in the light? It’s only when its ambitions become too grandiose that it must be opposed, disciplined, sometimes—if necessary—brought down for a time. Then it will rise again, as it must.”
“There must still be room for the falling note, of course. Even in an undying world there are times when beauty passes from sight, or love passes from the heart, and we feel the sorrow of partition.”
“If one has given oneself utterly, watching the beloved sleep can be a vile experience. Perhaps some of you have known that paralysis, staring down at features closed to your enquiry, locked away from you where you can never, ever go, into the other’s mind. As I say, for us who have given ourselves, that is a horror. One knows, in those moments, that one does not exist, except in relation to that face, that personality. Therefore, when that face is closed down, that personality is lost in its own unknowable world, one feels completely without purpose. A planet without a sun, revolving in darkness.”
“The moon had risen behind him, the color of a shark's underbelly. It lit the ruined walls, and the skin of his arms and hands, with its sickly light, making him long for a mirror in which to study his face. Surely he'd be able to see the bones beneath the meat; the skull gleaming the way his teeth gleamed when he smiled. After all, wasn't that what a smile said? Hello, world, this is the way I'll look when the wet parts are rotted.”
“It’s only when you’ve lost someone that you realize the nonsense of thatphrase “It’s a small world”. It isn’t. It’s a vast, devouring world, especially if you’re alone.”
“You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.”
“Peter Pan has to be the book of my childhood. Come to think of it, it's the book of my adulthood too. It's a book which, in the reading of it, takes me back to editions that I've had and lost, with various illustrators' work in them. It brings back moments sitting reading it with my mother. It brings back my first contact with the Disney cartoon. It brings back standing in the play-yard when I was a kid, when the wind was really blowing, and closing my eyes, spreading my arms and pretending I could fly. It brings back childhood dreams of flying. It brings back the first encounter I ever had with an invented world... Never Never Land was really the first journey I took to an invented world which I believed in wholly and completely. I remember the immense solidarity that I felt with the Lost Boys, with Peter, with the Indians - how much I wanted to be a Red Indian - how much the saving of Tiger Lily meant to me as a kid, how much I wanted to one day wake up and save an Indian squaw from drowning.”