“Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.”

“So discretion was the by-word. They would take meant only when the hunger became crippling, and only then victims who were unlikely to be missed. They would refrain from infecting others, so as no to advertise their presence. if one was found, no other would risk exposure by going to his aid. Hard laws o live by, but not as hard as the consequences of breaking them. The rest was patience, and they were well used to that. Their liberator would come eventually, if they could only survive the wait. Few had any clue as to the shape he'd come in. But all knew his name. Cabal, he was called. Who Unmade Midian. Their prayers were full of him. On the next wind, let him come. If not now, then tomorrow. They might not have prayed so passionately had they known what a sea change his coming would bring. They might not have prayed at all had the know they prayed to themselves. But these were revelations for a later day. For now, they had simpler concerns. Keeping the children from the roofs at night, the bereaved from crying out too loud, the young in summer from falling in love with the human. It was a life.”

“Nothing ever begins. There is no first moment; no single word or place from which this or any story springs. The threads can always be traced back to some earlier tale, and the tales that preceded that; though as the narrator's voice recedes the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making.”

“People had a habit of looking at me as if I were some kind of mirror instead of a person. They didn't see me, they saw their own lewd thoughts, then they white-masked themselves by calling me the lewd one.”

“Let us not neglect the forbidden. Let us not sophisticate ourselves out of the cheap thrill and chill of it: the story told for perversity's sake, and all the better for that; the image created because an artist gets tired of reasons sometimes, and wants to dredge up some picture he's been haunted by, and parade it like a new tattoo. I go with it, readily.”

“I’ve spent my creative life so far first in the theatre, then on the page, then on the screen, examining what is turning out as I grow older to look like one enormous landscape. What I originally thought were different worlds turn out to be one interconnected place. And like a bedspread viewed by a sick child from his pillow, I am very aware that there are colours in various corners which I know very well, but I haven’t yet found the ways to get from the blue to the green and from the green to the red. I’ve just begun, and I suppose that’s become my preoccupation – the idea that at one point I will see it clearly.”

“My feet are killing me.""I knew somebody who had feet like that. They'd walk all over him. Archie Kashanian was his name. He used to wake up with footprints all over his chest, all over his face. It was the death of him, finally.”