“Who can call a man dead whose words still hush and whose sentiments move?”

“We have great cities to visit: New York and Washington, Paris and London; and further east, and older than any of these, the legendary city of Samarkand, whose crumbling palaces and mosques still welcome travelers on the Silk road. Weary of cities? Then we’ll take to the wilds. To the islands of Hawaii and the mountains of Japan, to forests where Civil War dead still lie, and stretches of sea no mariner ever crossed. They all have their poetry: the glittering cities and the ruined, the watery wastes and the dusty; I want to show you them all. I want to show you everything.”

“Those old hypocrites. They talk about killing witches but the Good Book’s full of magic. Turning the Nile to blood and parting the Red Sea. What’s that if it’s not good old-fashioned magic? Want a little water into wine? No trouble! How about raising the dead man Lazarus? Just say the word!”

“So now, I look at these stories, and almost like a photograph snapped at a party, I find all manner of signs and indications of who I was. Was? Yes, was. I look at these pieces and I don't think the man who wrote them is alive in me anymore. Writing an introduction to the tenth anniversary edition of Weaveworld last year I remarked on much of the same thing: the man who'd written that book was no longer around. He'd died in me, was buried in me. We are our own graveyards; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived, and if we're neurotic we brood and mourn and wish that the past was still present.”

“What worth was a man who could not be haunted?”

“I will say it one last time: Demonation! The feeling of it! There are no words -how can there be?- to describe what it feels like to become words, to feel your life encoded, and laid out in black ink on white paper. All my love and hatred, melted into words. It was like the End of the World.”

“Perhaps the House had heard Harvey wishing for a full moon, because when he and Wendell traipsed upstairs and looked out the landing window, there--hanging between the bare branches of the trees--was a moon as wide and as white as a dead man's smile.”