“Wow,” I said. “That story is disturbing on so many different levels. One thing that’s mystifying about Indian mythology is how often the names change. The skin color changes – she’s golden, she’s black, she’s pink. Her name changes – she’s Durga, Kali, Parvati. Her personality changes – she’s a loving mother, she’s a fierce warrior, she’s terrible in her wrath, she’s a lover, she’s vengeful, she’s weak and mortal, then she’s powerful and can’t be defeated. Then there’s her marital status – she’s sometimes single, sometimes married. It’s hard to keep all the stories straight.”Ren snickered. “Sounds like a normal woman to me.”

“The blood vessels in Nora’s face are widening and her skin is warming,” Patch said. “She knows she’s being evaluated. She likes the attention, but she’s not sure how to handle it.”“I am not blushing.”“She’s nervous,” Patch said. “She’s stroking her arm to draw attention away from her face and down to her figure, or maybe her skin. Both are strong selling points.”

“She’s never where she is,' I said. 'She’s only inside her head.”

“She’s never where she is,” I said. “She’s only inside her head.”

“He always cared for her. He always loved her. He’s madly in love with her. She’s his Love, Actually. She’s his Casablanca. She’s the one he’d stop the bus for, the one he’d run through traffic for, the one he’d drive like a crazy man to the airport for and run through the terminal to stop the plane. Her name’s above the title for him. She’s the opening credit and the closing credit. She’s the love of his life.”

“Nope, she’s not depressed,” he said addressing Andy but referring to me. “She’s aging prematurely and at a rapid rate. She’s a grumpy old woman. That’s what she is.”