“Suttree stood among the screaming leaves and called the lightning down. It cracked and boomed about and he pointed out the darkened heart within him and cried for light. If there be any art in the weathers of this earth. Or char these bones to coal. If you can, if you can. A blackened rag in the rain.”

“Out of that whirlwind no voice spoke and the pilgrim lying in his broken bones may cry out and in his anguish he may rage, but rage at what? And if the dried and blackened shell of him is found among the sands by travelers to come yet who can discover the engine of his ruin?”

“You boys know what tropism is, it's what makes a plant grow toward the light. Everything aspires to the light. You don't have to chase down a fly to get rid of it - you just darken the room, leave a crack of light in a window, and out he goes. Works every time. We all have that instinct, that aspiration. Science can't dim that. All science can do is turn out the false lights so the true light can get us home.”

“As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (...) You don't pick out the rain that soaks you to the skin when you come out of a concert.”

“I'm beginning to see that there's a difference between art that trusts beauty's simple power to point people to God and Christian art that's consciously propagandistic. My Uncle Kenny, with whom I spent most of my time in Italy, said something profound--that you can make art about the Light, or you can make art that shows what the Light reveals about the world.”

“I've heard it said that God is in the details. It's the same with the truth. Leave out the details, the crucial heart, and you can damn someone with the bare bones of it.”