“where all is known, no narrative is possible.”

“The spot where we intend to fight must not be made known; for then the enemy will have to prepare against a possible attack at several different points;”

“I think human beings have evolved to appreciate narrative, in the same way that we have evolved to learn language. What is narrative, after all, but a kind of super-language, where stories, like words, are ways of encapsulating information?”

“One’s lover is one’s partner in observing and understanding the world. Marriage is a place where joint narratives are composed. If the lover is a liar then all your joint observations are unreliable. You will have to start all over again.”

“This is the thing that takes me longest of all when I'm beginning a novel, to work out what the limits are, what the powers of the narrator will be, what is the appropriate tone to take. And where do I see things from: am I watching this, as it were, from stage right or stage left? That makes a difference. Mike Alfreds is an English director who has a company called Shared Experience. They do a lot of adaptations of novels. He's discovered that when they use a narrator, if they put the narrator stage right, the audience perceives the narrator as being somehow involved, warm, part of what's going on. If he puts the narrator stage left, the audience feels the narrator to be critical, detached....Ever since then, I have to say, whenever I do a conversation with someone on the stage, I take care to be stage right. But that's an aspect of where you're seeing it from, you see, whether the narrator is viewing the characters, as it were, sympathetically or, as it were, critically. This takes a while to discover for each book.”

“I am where I am because I believe in all possibilities.”