“To be a jazz freedom fighter is to attempt to galvanize and energize world-weary people into forms of organization with accountable leadership that promote critical exchange and broad reflection. The interplay of individuality and unity is not one of uniformity and unanimity imposed from above but rather of conflict among diverse groupings that reach a dynamic consensus subject to questioning and criticism. As with a soloist in a jazz quartet, quintet or band, individuality is promoted in order to sustain and increase the creative tension with the group--a tension that yields higher levels of performance to achieve the aim of the collective project. This kind of critical and democratic sensibility flies in the face of any policing of borders and boundaries of "blackness", "maleness", "femaleness", or "whiteness".”

“By operating without a leader the scout bees of a swarm neatly avoid one of the greatest threats to good decision making by groups: a domineering leader. Such an individual reduces a group's collective power to uncover a diverse set of possible solutions to a problem, to critically appraise these possibilities, and to winnow out all but the best one.”

“None of us is as dumb as all of us. It means that when you get a group of people together to make a critical decision, groupthink can set in. There's all this technical information, a critical decision needs to be made, and everyone starts marching in the same direction. There might be some people who think it's the wrong decision, but they don't say anything. They just remain a part of the group. We've learned that groups can make stupid decisions that no single individual in the group would make.”

“The structure of a jazz performance is, like that of the New York skyline, a tension of cross-purposes. In jazz at its characteristic best, each player seems to be—and has the sense of being—on his own. Each goes his own way, inventing rhythmic and melodic patterns which, superficially, seem to have as little relevance to one another as the United Nations building does to the Empire State. And yet the outcome is a dazzlingly precise creative unity. ”

“In a society of increasingly mass-produced, assembly-line entertainment, where every individual is treated like an empty pitcher to be filled from above, jazz retains something of the spirit of the handicrafts of yesteryear. The print of the human spirit warms it. Deep down, jazz expresses the enforced & compassionate attitudes of a minority group and may well appeal to us because we all have blue moods and, in a fundamental sense, none of us is wholly free.”

“The dynamism of any diverse community depends not only on the diversity itself but on promoting a sense of belonging among those who formerly would have been considered and felt themselves outsiders.”