“It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it.The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.”

“Quite suddenly Meggie felt fear rise in her like black brackish water, she felt lost, terribly lost, she felt it in every part of her. She didn't belong here! What had she done?”

“Isn't there at lest a bloody light switch somewhere in this hole? Oh, to hell with it, I feel as if I've fallen into some far-fetched adventure story where the villians wear black eye patches and throw knives. Damn, damn, damn!" Meggie had already noticed that Elinor swore a lot, and the more upset she was the worse her language became.”

“Dustfinger inspected his reddened fingers and felt the taut skin. ‘He might tell me how my story ends,’ he murmured. Meggie looked at him in astonishment. ‘You mean you don’t know?’ Dustfinger smiled. Meggie still didn’t particularly like his smile. It seemed to appear only to hide something else. ‘What’s so unusual about that, princess?’ he asked quietly. ‘Do you know how your story ends?’ Meggie had no answer for that.”

“So Mo began filling the silence with words. He lured them out of the pages as if they had only been waiting for his voice, words long and short, words sharp and soft, cooing, purring words. They danced through the room, painting stained glass pictures, tickling the skin. Even when Meggie nodded off she could still hear them, although Mo had closed the book long ago. Words that explained the world to her, its dark side and its light side, words that built a wall to keep out bad dreams. And not a single bad dream came over that wall for the rest of the night.”

“Because by now Elinor had understood this, too: A longing for books was nothing compared with what you could feel for human beings. The books told you about that feeling. The books spoke of love, and it was wonderful to listen to them, but they were no substitute for love itself. They couldn't kiss her like Meggie, they couldn't hug her like Resa, they couldn't laugh like Mortimer. Poor books, poor Elinor.”

“Yes, Mo would come. Meggie could think of nothing else as Fenoglio led her away with him, his arm around her as if he could really protect her from Capricorn and Basta and all the others. But he couldn't. Would Mo be able to protect her? Of course not. He mustn't come, she thought. Please. Perhaps he won't be able to find his way in again! He mustn't come. Yet there was nothing she wanted more, nothing in the whole wide world.”