“So Mo began filling the silence with words. He lured them out of the pages as if they had only been waiting for his voice, words long and short, words sharp and soft, cooing, purring words. They danced through the room, painting stained glass pictures, tickling the skin. Even when Meggie nodded off she could still hear them, although Mo had closed the book long ago. Words that explained the world to her, its dark side and its light side, words that built a wall to keep out bad dreams. And not a single bad dream came over that wall for the rest of the night.”

“Who are you?' Mo looked at the White Women. Then he looked at Dustfinger's still face.Guess.' The bird ruffled up its golden feathers, and Mo saw that the mark on its breast was blood.You are Death.' Mo felt the word heavy on his tongue. Could any word be heavier?”

“It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it.The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.”

“The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?”

“The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.”

“A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they?”

“Mo could paint pictures in the empty air with his voice alone.”