“You are crazy!" whispered Meggie. "You're a total lunatic!"But her opinion did not impress Fenoglio in the slightest. "So what? All writers are lunatics!”

“So what? All writers are lunatics!”

“Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said holding them out to her, "don't want to write anymore! I'm afraid of words Meggie! 'Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm it's creator!”

“Life was more difficult in Inkheart, yet it seemed to Meggie that with every new day Fenoglio's story was spinning a magic spell around her heart, sticky as a spider's web and enchantingly beautiful..”

“Yes, Mo would come. Meggie could think of nothing else as Fenoglio led her away with him, his arm around her as if he could really protect her from Capricorn and Basta and all the others. But he couldn't. Would Mo be able to protect her? Of course not. He mustn't come, she thought. Please. Perhaps he won't be able to find his way in again! He mustn't come. Yet there was nothing she wanted more, nothing in the whole wide world.”

“It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it.The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.”

“What on earth have you packed in here? Bricks?" asked Mo as he carried Meggie's book-box out of the house.You're the one who says books have to be heavy because the whole world's inside them," said Meggie.”