“O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body")”

“I spent the next two hours down there, first sitting in the sand, sifting and swirling, watching the grains fall from the webs of my dusty hands and then walking down by the water, collecting those little pieces of beach glass. There were more of them than I thought. They were surprisingly strong. I tried to snap one in half to see if the inside was still shiny and clear like regular glass, but it wouldn't break. Its scuffy exterior was like scar tissue. (67)”

“But be careful; sand is already broken but glass breaks. The shoes are for dancing, not running away.”

“In racing, they say that your car goes where your eyes go. The driver who cannot tear his eyes away from the wall as he spins out of control will meet that wall; the driver who looks down the track as he feels his tires break free will regain control of his vehicle.”

“Alec muttered a retort into his coffee. It rhymed with something that sounded a lot more like "ducking glass mole.”

“Let them come with their night-vision glasses and their heavy, branch-breaking bodies. Right into the range of my arrows.”