“The shears found his throat this time. He fell down on top of them and was silent. Something dark like mucilage glistened where he lay. She had jumped back - not in remorse, but to keep the bottom of her skirt clear of his blood. ("I'm Dangerous Tonight")”

“Maldonado's face was ghastly. 'That' she said, pointing below the bed where the cat lurked, 'and that' - pointing to what lay on the floor - 'prove it was no dream. Do dreams leave marks behind them?' ("I'm Dangerous Tonight")”

“She thrust out her arms wide, in strange ritual of triumph, as Mimi Brissard had in Paris. She was a black, ominous death-cross against the starlight for a moment. Then she turned slowly, her eyes two green phosphorescent pools, toward where the helpless secret service man lay. ("I'm Dangerous Tonight")”

“Beside her, her husband could only splutter, and he stopped even that when she half turned to flash him a smile - the instinctive, brilliant smile of a woman who knows what feeble creatures men can be. You couldn't learn to smile like that. It was something a woman either knew the minute she was born, or never knew at all. ("I'm Dangerous Tonight")”

“She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all.He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man.If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion.("Three O'Clock")”

“Just inside the doorway he puts down the bags, motions her to stand by them a minute. He saunters out ahead, carefully casual. Peers up one way, down the other. Nothing. The street's dead to the world.Then suddenly, from nowhere, ping! Something flicks off the wall just behind him, flops at his feet like a dead bug. He doesn't bend down to look closer, he can tell what kind of a bug it is all right. He's seen that kind of bug before, plenty of times. No flash, no report, to show which direction it came from. Silencer, of course. He hasn't moved. Fsssh! and a bee or wasp in a hurry strokes by his cheek, tingles, draws a drop of slow blood. Another pokk! from the wall, another bug rolling over. The insect-world seems very streamlined, very self-destructive, tonight. ("Jane Brown's Body")”

“The lights of the city streaked off below him like the luminous spokes of a warped wheel. An indistinctly outlined, pearly moon seemed to drip down the sky, like a clot of incandescent tapioca thrown up against the night by a cosmic comic. He lit the after-the-dance, while-waiting-for-her-to-come-back cigarette. He felt good, looking down at the town that had nearly had him licked once. "I'm all set now," he thought. "I'm young. I've got love. I've got a clear track. The rest is a cinch.”