“The sun goes down and it's night-time in New Orleans. The moon rises, midnight chimes from St. Louis cathedral, and hardly has the last note died away than a gruesome swampland whistle sounds outside the deathly still house. A fat Negress, basket on arm, comes trudging up the stairs a moment later, opens the door, goes in to the papaloi, closes it again, traces an invisible mark on it with her forefinger and kisses it. Then she turns and her eyes widen with surprise. Papa Benjamin is in bed, covered up to the neck with filthy rags. The familiar candles are all lit, the bowl for the blood, the sacrificial knife, the magic powders, all the paraphernalia of the ritual are laid out in readiness, but they are ranged about the bed instead of at the opposite end of the room as usual. The old man's head, however, is held high above the encumbering rags, his beady eyes gaze back at her unflinchingly, the familiar semicircle of white wool rings his crown, his ceremonial mask is at his side. 'I am a little tired, my daughter,' he tells her. His eyes stray to the tiny wax image of Eddie Bloch under the candles, hairy with pins, and hers follow them. 'A doomed one, nearing his end, came here last night thinking I could be killed like other men. He shot a bullet from a gun at me. I blew my breath at it, it stopped in the air, turned around, and went back in the gun again. But it tired me to blow so hard, strained my voice a little.' A revengeful gleam lights up the woman's broad face. 'And he'll die soon, papaloi?''Soon,' cackles the weazened figure in the bed. The woman gnashes her teeth and hugs herself delightedly. ("Papa Benjamin" aka "Dark Melody Of Madness")”

“There was no sound, but she felt a movement, a shifting of the air in her room, the warmth of another presence.Isabel opened her eyes. He was there, at the foot of her bed, a single candle in his hand, dressed only in shirtsleeves, waistcoat, and breeches.“Forgive me,” he whispered as he set the candle down. “I could not stay away.”

“The little group before her finally moved on and Sarah took its place, standing before Tom like he was a painting in a museum.And then his vacant eyes dropped from that point somewhere above her head and he looked at her—looked into her eyes and registered her presence. His eyes widened and his mouth opened wordlessly.For the space of six heartbeats they stared at one another and then Sarah simply said, “Come home.” She held her hand out to him.He gazed at it for a moment.“Come with me,” she said softly.Slowly he rose from his chair and walked toward her. He slipped his hand into hers and his palm was warm and callused.She stepped back and pulled him along with her. Suddenly his arms went around her, hugging her tight, his head dropped to her shoulder and his mouth pressed into her hair as he whispered, “I can’t believe you’re here.”Her hands slipped up the smooth, supple skin of his back to hook over his shoulders. She buried her face against his chest, breathing him in, forgetting time and place and circumstance and just holding him.”

“As he wrapped her in white terrycloth, Kyle eyed his lingering hardness. “Again?”Cole turned his bride to hug her from behind, nuzzling her neck. “I’ll have you in my bed next,” he said. “I’m going to make love to you so thoroughly that, tomorrow? You’ll walk like John Wayne.”Her laughter sounded so free.”

“She didn’t know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss.“Shane,” he said when he raised his head from hers. “I love you. I love you.”Her heart opened and the wall inside her trembled as she clung to him. “Burn me up, Matt,” she said, her voice a ragged whisper. “Burn it away. Please, please, burn it all away.”She heard him growl deep in his throat and he lifted her into his arms in one swift movement. As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire.”

“When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.”