“When he sees me, he stops.His eyes widen, his face pales.And then before i can say anything, he's holding me.And the worst part is-I want to hold him.But I also want to slap him, hit him. Punch him. Tear out his throat.I want him to tell me what he did to me was a mistake. Some horrible mix-up. . .after I'm done holding him back.”

“Eddie, It's like you died that night," he whispers.So that's it. I died.I've been dead.I blink back the tears and pick at the mattress, but I don't say anything. I don't know what I could say to him. I don't know how to convince him I'm still here when I'm not sure of it myself anymore.”

“...We’re working with paint today and I pick the easel next to Jake’s. It thrills him.“What do you want?”“I want to apologize if you’re offended by the way I am,” I tell him. “But that’s the way I am with everyone. I was just trying to make you feel welcome.”“That’s the crappiest apology I’ve ever heard.”“Well, that’s because I’m not really sorry.”He rolls his eyes. “Right.”

“It's okay, we can go back from this." It comes out of his mouth so kind - he means it - and it just makes me feel worse. That he can kiss me like this and change everything, but still promise me nothing has to change because I can't promise him anything.”

“I take a swig from Milo’s flask and hand it back to him. He screws the top back on. He inherited the flash from his grandfather and stole the liquor from his mother. The circle of life.”

“Anyway," Jake says. I turn back to him. “I just wanted to start over a good note, that’s all.”I have to put this poor guy out of his misery. “Look, Jake, I’m not in the market for –“ I almost say a boyfriend, which is true, but this is even truer: “People”.”

“I’m sorry,” he tells me.I sit down on the bed. He returns to the view of the street below. I follow his gaze and I see the infected walking slowly back and forth.“It’s okay,” I say.“Okay,” he says. He nods. “Good.”He puts the gun under his chin and pulls the trigger.”