“I expect you have seen someone put a a lighted match to a bit of newspaper which is propped up in a grate against an unlit fire. And for a second nothing seems to have happened; and then you notice a tiny steak of flame creeping along the edged of the newspaper. It was like that now.”

“She slid open the box, extracted a match, and struck it with a flourish. The flame flared up in the gloom of the unlit room, a tiny golden beacon. For a moment, Oma Kristel held it aloft, then the unthinkable happened. The match slipped out of her fingers and fell straight onto her pink mohair bosom. With a whooomph! like the sounds of a gas furnace firing up, the hairspray with which Oma Kristel had doused herself ignited, obliterating her in a column of flames.”

“This has happened and will happen again,' said Euphorbus. 'You are not lighting a pyre, you are lighting a labyrinth of flames. If all the fires I have seen were gathered together here, they would not fit on earth and the angels would be blinded. I have said this many times.' Then he cried out, because the flames had reached him.”

“I think you spend your life expecting to be disappointed, so when someone hurts you just a tiny bit, you can say: there I was right all along...You like being right.”

“The second analog-era mechanism that encourages serendipity involves the physical limitations of the print newspaper, which forces you to pass by a collection of artfully curated stories on a variety of topics before you open up the section that most closely matches your existing passions and knowledge.”

“To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.”