“This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.”

“Tragedy is born of myth, not morality. Prometheus and Icarus are tragic heroes. Yet none of the myths in which they appear has anything to do with moral dilemmas. Nor have the greatest Greek tragedies. If Euripides is the most tragic of the Greek playwrights, it is not because he deals with moral conflicts but because he understood that reason cannot be the guide of life.”

“Allowed to cast themselves for great tragic roles, they were experiencing the exhilaration felt by great tragic actors. It was not lack of control, lack of taste, lack of knowledge that accounted for permission of what was not permitted in the West. Rather was it the reverse. Our people could not have handled patients full of the dangerous thoughts of death and love; these people had such resources that they did not need to empty their patients of such freight.”

“We are uncomfortable because everything in our life keeps changing -- our inner moods, our bodies, our work, the people we love, the world we live in. We can't hold on to anything -- a beautiful sunset, a sweet taste, an intimate moment with a lover, our very existence as the body/mind we call self -- because all things come and go. Lacking any permanent satisfaction, we continuously need another injection of fuel, stimulation, reassurance from loved ones, medicine, exercise, and meditation. We are continually driven to become something more, to experience something else.”

“There are different kinds of truth. And if our kind is more mature than theirs, it's so only because we know that.”

“We need myths to get by. We need story; otherwise the tremendous randomness of experience overwhelms us. Story is what penetrates.”