“His ambitions exceed his talent.”

“There then occurred the first and only paranormal incident of my marriage. Charlie shifted in his sleep, opened his eyes, looked at me and, without preamble, said, “You have to forgive yourself for killing that boy.” . . . “For your own sake but for mine, too,” he was saying, and his voice was hoarse from sleep yet also certain and insistent. “If you don’t forgive yourself, you’re making that accident too important, you’re making him too important.” Charlie paused. “And I want to be the love of your life.”

“Was this what marriage was, the slow process of getting to know another individual far better than was advisable? Sometimes [his] gestures and inflections were so mercilessly familiar that it was as if he were an extension of me, an element of my own personality over which I had little control.”

“She is shocked, and also afraid to look at him. As he turns the page, he's describing a dessert whose name he cannot remember but which arrived at the table in flames. She feels utterly bewildered. This is who her father is: someone tickled by the existence of sushi. Someone who takes pictures inside a restaurant. Her father is cheesy. Even his handsomeness, she thinks, looking at one of the few photos in which he appears, is of a certain harmlessly generic sort, the handsomeness of a middle-aged male model in the department-store insert of the Sunday Inquirer. Has she only imagined him as a monster? His essential lesson, she always believed, was this: There are many ways for you to transgress, and most you will not recognize until after committing them. But is it she who invented this lesson? At the least, she met him halfway, she bought in to it. Not just as a child but all through adolescence and into adulthood--until this very moment. She realized now that Allison does not buy in to it, that she must not have for years, and that's why Allison doesn't fight with their father or refuse to talk to him for long stretches. Why bother? Hannah always assumed Allison was bullied into her paternal devotion, but no--it is Hannah who has seen his anger as much bigger than it ever was.”

“Once I had asked, ‘But are you a Democrat or a Republican?” and Jonathan said, “I’m socially progressive but fiscally conservative,” and Doug Miles, a football player who also came to Sunday breakfast but only ever read the sports section and ignored everyone, lifted his head and said, “Is that like being bisexual?” Which I actually thought was funny, even though I was pretty sure Doug was a jerk.”

“But maybe this is what Hannah has always wanted: a man who will deny her. A man of her own who isn't hers. Isn't it the real reason she broke up with Mike--not because he moved to North Carolina for law school (he wanted her to go with him, and she said no) but because he adored her? If she asked him to get out of bed and bring her a glass of water, he did. If she was in a bad mood, he tried to soothe her. It didn't bother him if she cried, or if she didn't wash her hair or shave her legs or have anything interesting to say. He forgave it all, he always thought she was beautiful, he always wanted to be around her. It became so boring! She'd been raised, after all, not to be accommodated but to accommodate, and if she was his world, then his world was small, he was easily satisfied. After a while, when he parted her lips with his tongue, she'd think, Thrash, thrash, here we go. She wanted to feel like she was striving cleanly forward, walking into a bracing wind and learning from her mistakes, and she felt instead like she was sitting in a deep, squishy sofa, eating Cheetos, in an overheated room. With Oliver, there is always contrast to shape their days, tension to keep them on their toes: You are far form me, you are close to me. We are fighting, we are getting along.”

“But I should note, for all my resistance to organized religion, that I don't believe Charlie could have quit drinking without it. It provided him with a way to structure his behavior, and a way to explain that behavior, both past and present, to himself. Perhaps fiction has, for me, served a similar purpose--what is a narrative arc if not the imposition of order on disparate events? -- and perhaps it is my avid reading that has been my faith all along.”