“Never will I make that extra effort to live according to reality which alone makes good writing possible: hence the manic-depressiveness of my style,—which is either bright, cruel and superficial; or pessimistic; moth-eaten with self-pity”

“There are only three things which make life worth living: to be writing a tolerably good book, to be in a dinner party of six, and to be traveling south with someone whom your conscience permits you to love.”

“We are captivated by the feminine shadow of the self we might have been; in my case by that counterpart of the romantic writer who should have had the courage to reject society and to accept poverty for the sake of the development of his personality. Now when I see such beings I hope that I can somehow be freed from my shortcomings by union with them. Hence the recurrent longing to forsake external reality for a dream and to plunge into a ritual flight...I am attracted by those who mysteriously hold out a promise of the integrity which I have lost.”

“A mutually fulfilled sexual union between two people is the rarest sensation which life can provide. But it is not quite real. It stops when the telephone rings. Such a passion can be kept at its early strength only by adding to it either more and more unhappiness (jealousy, separation, doubt, renunciation), or more and more artificiality (drink, technique, stage-illusions). Whoever has missed this has never lived, who lives for it alone is but partly alive.”

“Better to write for yourself and have no public, than to write for the public and have no self."[The New Statesman, February 25, 1933]”

“A love affair is a grafting operation. "What has once been joined never forgets". There is a moment when the graft takes; up to then it is possible without difficulty the separation which afterwards comes only through breaking off a great hunk of oneself; the ingrown fibre of hours, days, years.”

“A child, left to play alone, says of quite an easy thing, 'Now I am going to to do something very difficult'. Soon, out of vanity, fear and emptiness, he builds up a world of custom, convention and myth in which everything must be just so; certain doors are one-way streets, certain trees sacred, certain paths taboo. Then along comes a grown-up or a more robust child; they kick over the imaginary wall, climb the forbidden tree, regard the difficult as easy and the private world is destroyed. The instinct to create myth, to colonize reality with the emotions, remains. The myths become tyrannies until they are swept away, when we invent new tyrannies to hide our suddenly perceived nakedness. Like caddis-worms or like those crabs which dress themselves with seaweed, we wear belief and custom.”