“You didn't break my nose,” he says.“Too bad.”“No, that’s good,” he says. “Because I would've broken yours.”“You’d hit a girl?”“We fight all the time.”
“He stops pacing. 'I know, Miranda, I did it because I—' 'Stop! Don't say it. I don't want to hear you say it.' 'I have to say it,' Noah says. 'No, you don't.' If I hear him say the word love, I don't know what I'll do. I still have my gun. Maybe one day I can forgive him, but all chance of that goes out the window if he claims he did it for love. If you love someone, the idea is respect them enough to trust them. Not to take away their freedom. Their life.”
“Peter smiles at me, shaking his head. Behind the smile I can see he’s scared as I am. Blood drips onto his lips. “You never did listen to my orders,” he said.I smiled back. “Aren’t you glad you’ll have company?”
“Hello, Kanta. They're saying interesting things about you on the news," she said. "I wondered if you'd survived.""He didn't," I said. "I killed him."Silence."I killed Mkhai, too," I said. "Tens of thousands of years, gone in the blink of an eye.""Why are you telling me this?" asked the voice."Because you're next," I said. "I'm the demon slayer. Come and get me.”
“In these journals I would frequently write messages to myself, a person whom I addressed as Big Me, or The Future Me. Rereading these entries as the addressee, I try not to be insulted, since my former self admonishes me frequently. "I hope you are not a failure," he says. "I hope you are happy," he says.”
“Today when I was walking down an endless maze of white picket fences back to the train station, a little boy playing in his front yard runs up to the fence and looks at me...looks at me with eyes that take it all in...maybe he will say,'Start writing. On the train. Tonight. In that gay little journal you carry around with you. It's what you naturally do, ever since the sixth grade, except this time it will be notes for this book. You'll be like a huge 33 year old goony sixth grader with a book deal writing on some lame ass commuter train. Now Go! Go on!'Whatever he says, he will deliver the message that all of us have lost the ability to say in our jaded adult lives. Maybe how our lives finally change but only when it is right for our lives to change. That we are not in control of this thing. I look back at him just before making my turn on the last part of my walk toward the train. It feels like slow motion as he sizes me up that one last time. He opens his mouth and the words come out: 'Hey mister, why dont you have a car?'Oh, man.”
“But this home over here: it needed paint but had flowers neatly planted all the way around it. That one over there had a tire swing out front, tied to a fat magnolia tree. Behind another, a lush vegetable garden. You got to fight not to give into despair, he told himself. You got to see the good that's mixed in with the bad.”