“This is another thing I think of, turning it over, try to put together two pictures of it, but this time it's about me, it's myself I'm trying to figure. Because one sounds so disgusting, not even able to tell Al about it, win the big game, take the virgin to her first bonfire, feed her a beer or two, and then the two of us in someone's car with your hand between my legs, unbuttoned and hiked down and the noises I made, before I finally, gasping, stopped you. It sounds terrible and it's probably the truth, the real picture, gross when I write it down and shamed about it. But it's the real, whole truth I'm trying to get down, how it happened, and honestly it felt different then, different from that bad picture. I can see it, so gentle the way you moved, the thrill that was there with us as no one knew where we were or what we were doing.”

“It's different," you said. "You've made, Min, everything different for me. Everything's like coffee you made me try, better than I ever - or the places I didn't even know were right on the street, you know? I'm like this thing I saw when I was little, where a kid hears a noise under his bed and there's a ladder there that's never been there before, and he climbs down and, it's for kids I know, but this song starts playing ..." Your eyes were traveling in the treey light.”

“The whole thing of what I’ve been trying,” you said, “is that you’re different, and you keep asking about the other girls, but what I mean is that I don’t think about them, because of the way you are.”

“I'm telling you why we broke up, Ed. I'm writing this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.”

“There's a picture in When the Lights Go Down: A Short Illustrated History of Film of Alec Matto smoking in a chair in a room with a slice of light blaring over his head toward a screen we can't see. 'Alec Matto reviewing dailies for Where Has Julia Gone? (1947) in his private screening room.' Joan had to tell me what dailies are, it's when the director takes sometime in the evening, while smoking, to see all the footage that was filmed that day, maybe just one scene, a man opening a door over and over, a woman pointing out the window, pointing out the window, pointing out the window. That's dailies, and it took seven or eight matches on the roof over the garage for me to go over our breathless dailies that night, the nervous wait with the tickets in my hand, Lottie Carson heading north on those trains, kissing you, kissing you, the strange conversation in A-Post Novelties that had me all nerve-wracky after I talked to Al about it, even though he said he had no opinion. The matches were little he loves me, he loves me not, but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff for a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.”

“And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.I can’t stop thinking about you.”

“She’s so, everybody’s so stupid, you know? Christian too, Todd, whoever says stupid things, you’re from different worlds, like you dropped here in a spaceship.”I had to say something. “Yeah,” I said. “So—?”“So they can fuck themselves,” you said. “I don’t care, you know?”I felt a smile on my face, tears too.“Because Min, I know, OK? I’m stupid I know, about faggy movies, sorry, fuck, I’m stupid about that too. No offense. Ha! But I want to do it, Min.Any party you want, anything, not go to bonfires. Whatever you want to do, for the eighty-ninth birthday, even though I can’t remember the name.”“Lottie Carson.” I stepped close to you, but you held your hands out, you weren’t done.“And they’ll say things, right? I know they will, of course they will. Your friends are, probably, too, right?”“Yes,” I said. I felt furious, or furiously something, pacing with you and waiting to fall into your moving arms.“Yes,” you said, with a huge grin. “Let’s stay together, I want to be with you. Let’s. Yes?”“Yes.”“Because I don’t care, virginity, different, arty, weird parties with bad cake, that igloo. Just together, Min.”“Yes.”“Like everyone is telling us not to be.”“Yes!”“Because Min, listen, I love you.”I gaped.“Don’t, you don’t have to—I know it’s crazy, Joan says I’ve really lost it, but—”“I love you too,” I said.”