“The experts are right, he thought. Venice is sinking. The whole city is slowly dying. One day the tourists will travel here by boat to peer down into the waters, and they will see pillars and columns and marble far, far beneath them, slime and mud uncovering for brief moments a lost underworld of stone. Their heels made a ringing sound on the pavement and the rain splashed from the gutterings above. A fine ending to an evening that had started with brave hope, with innocence. ("Don't Look Now")”

“She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living?”

“It was then that Maxim looked at me. He looked at me for the first time that evening. And in his eyes I read the message of farewell. It was as though he leant against the side of a ship, and I stood below him on the quay. There would be other people touching his shoulder, and touching mine, but we would not see them. Nor would we speak or call to one another, for the wind and the distance would carry away the sound of our voices. But I should see his eyes and he would see mine before the ship drew away from the side of the quay.”

“I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, . . . but something indefinable, a moment of our lives, a thought, a mood.The house sheltered us, we spoke, we loved within those walls. That was yesterday. To-day we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.”

“We're safe enough now,' he thought, 'we're snug and tight, like an air-raid shelter. We can hold out. It's just the food that worries me. Food and coal for the fire. We've enough for two or three days, not more. By that time...' No use thinking ahead as far as that. And they'd be giving directions on the wireless. People would be told what to do. And now, in the midst of many problems, he realised that it was dance music only coming over the air. Not Children's Hour, as it should have been. He glanced at the dial. Yes, they were on the Home Service all right. Dance records. He switched to the Light programme. He knew the reason. The usual programmes had been abandoned. This only happened at exceptional times. Elections, and such. He tried to remember if it had happened in the war... ("The Birds")”

“You have qualities that are just as important, far more so, in fact. It's perhaps cheeky of me to say so, I don't know you very well. I'm a bachelor, I don't know very much about women, I lead a quiet sort of life down here at Manderley, as you know, but I should say that kindliness, and sincerity, and if I may say so—modesty—are worth far more to a man, to a husband, than all the wit and beauty in the world.”

“He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death.”