“This is what it means to be a fanatic - but a fanatic, that is to say, in a very special sense. It has little in common with the obsession of the politician or the artist, for instance, for both of these understand in a greater or lesser degree the impulse which drives them. But the sportsman fanatic - that is another matter entirely.His thoughts fixed solely on a vision of that mounted trophy against the wall, the eyes now dead that were once living, the tremulous nostrils stilled, the sensitive pricked ears closed to sound at the instant when the rifle shot echoed from the naked rocks, this man hunts his quarry through some instinct unknown even to himself.Stephen was a sportsman of this kind. It was not the skill needed that drove him, nor the delight and excitement of the stalk itself, but a desire, so I told myself, to destroy something beautiful and rare. Hence his obsession with chamois. ("The Chamois")”

“When Stephen talked about stalking chamois his whole expression changed. The features became more aquiline, the nose sharpened, the chin narrowed, and his eyes-steel blue - somehow took on the cold brilliance of a northern sky. I am being very frank about my husband. He attracted me at those times, and he repelled me too. This man, I told myself when I first met him, is a perfectionist. And he has no compassion. Gratified like all women who find themselves sought after and desired - a mutual love for Sibelius had been our common ground at our first encounter - after a few weeks in his company I shut my eyes to further judgment, because being with him gave me pleasure. It flattered my self-esteem. The perfectionist, admired by other women, now sought me. Marriage was in every sense a coup. It was only afterwards that I knew myself deceived. ("The Chamois")”

“I wondered straightaway how he could sit at peace there, of an evening, with the row of heads staring down at him. There were no pictures, no flowers: only the heads of chamois. The concession to melody was the radiogram and the stack of records of classical music. Foolishly, I had asked, "Why only chamois?" He answered at once, "They fear Man." This might have led to an argument about animals in general, domestic, wild, and those which adapt themselves to the whims and vagaries of the human race; but instead he changed the subject abruptly, put on a Sibelius record, and presently made love to me, intently but without emotion. I was surprised but pleased. I thought, "We are suited to one another. There will be no demands. Each of us will be self-contained and not beholden to the other." All this came true, but something was amiss. There was a flaw - not only the nonappearance of children, but a division of the spirit. The communion of flesh which brought us together was in reality a chasm, and I despised the bridge we made. Perhaps he did as well. I had been endeavouring for ten years to build for my self a ledge of safety. ("The Chamois")”

“I left them to it, the pointing of fingers on maps, the tracing of mountain villages, the tracks and contours on maps of larger scale, and basked for the one evening allowed to me in the casual, happy atmosphere of the taverna where we dined. I enjoyed poking my finger in a pan and choosing my own piece of lamb. I liked the chatter and the laughter from neighbouring tables. The gay intensity of talk - none of which I could understand, naturally - reminded me of left-bank Paris. A man from one table would suddenly rise to his feet and stroll over to another, discussion would follow, argument at heat perhaps swiftly dissolving into laughter. This, I thought to myself, has been happening through the centuries under this same sky, in the warm air with a bite to it, the sap drink pungent as the sap running through the veins of these Greeks, witty and cynical as Aristophanes himself, in the shadow, unmoved, inviolate, of Athene's Parthenon. ("The Chamois")”

“I want to see the Parthenon by moonlight.'I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. "Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas." We crammed into Burns's small car, and went back to our hotel. ("The Chamois")”

“It was then that Maxim looked at me. He looked at me for the first time that evening. And in his eyes I read the message of farewell. It was as though he leant against the side of a ship, and I stood below him on the quay. There would be other people touching his shoulder, and touching mine, but we would not see them. Nor would we speak or call to one another, for the wind and the distance would carry away the sound of our voices. But I should see his eyes and he would see mine before the ship drew away from the side of the quay.”

“Then all at once she turned to me, her face pale, her eyes strangely alight. She said, “Is it possible to love someone so much, that it gives one a pleasure to hurt them? To hurt them by jealousy, I mean, and to hurt myself at the same time. Pleasure and pain, an equal mingling of pleasure and pain, just as an experiment, a rare sensation?”