“Not that there seems to be any appropriate place to bury someone, but these municipal cemeteries, or any cemetery at all for that matter, like the ones by the highway, or the ones in the middle of town, with all these bodies with their corresponding rocks - oh it's just too primitive and vulgar, isn't it? The hole, and the box, and the rock on the grass? And we glamorize this process, feel it fitting and dramatic, austerely beautiful, standing there by the hole as we lower the box. It's incredible. Barbaric and base.”

“Toph looks at me. I nod gravely. In this world, in our new world, there will be rocking. We will pay tribute to musicmakers like Journey, particularly if this is Two-for-Tuesday, which means inevitably that one of the songs will be: Just a small-town girl...”

“But criticism, for the most part, comes from the opposite place that book-enjoying should come from. To enjoy art one needs time, patience, and a generous heart, and criticism is done, by and large, by impatient people who have axes to grind. The worst sort of critics are (analogy coming) butterfly collectors - they chase something, ostensibly out of their search for beauty, then, once they get close, they catch that beautiful something, they kill it, they stick a pin through its abdomen, dissect it and label it. The whole process, I find, is not a happy or healthy one. Someone with his or her own shit figured out, without any emotional problems or bitterness or envy, instead of killing that which he loves, will simply let the goddamn butterfly fly, and instead of capturing and killing it and sticking it in a box, will simply point to it - "Hey everyone, look at that beautiful thing" - hoping everyone else will see the beautiful thing he has seen. Just as no one wants to grow up to be an IRS agent, no one should want to grow up to maliciously dissect books. ”

“We feel that to reveal embarrassing or private things, we have given someone something, that, like a primitive person fearing that a photographer will steal his soul, we identify our secrets, our past and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes one less of oneself. ”

“Max had to think about these new developments. He hadn't liked getting hit by a rock--his stomach still ached from then rock Judith had thrown--but then again, when his team had used rocks on Alexander, it had caused him to surrender. Now the Bad Guys only had three soldiers left, which would make victory for Max's team more likely. So now it made perfect sense. He was wrong to ban rocks, or even animals. The key was to use all the weapons at one's disposal, but to just make sure you won when you used them.”

“Two chubby, expressionless boys stand to my right. They were once cute children, but now I imagine that they spend hours in dark rooms looking at violent porn. Or perhaps they have tender reveries about being sweet to the girls that they adore from a distance. I'd like to think about them in a generous light -- that they are actually gentle young men -- but it's hard not to stereotype them as potential serial killers. It's their eerie, still blankness that makes me think they're capable of murder -- and the fact that I'm in the Midwest. The Midwest seems to cultivate serial killing. Must be the boxed in geography. (Jonathan Ames, Middle-American Gothic)”

“How many times in life can we make decisions that are important but will not hurt anyone? Are we obligated- maybe we are- to say yes to any choice when no one will be hurt? We use the word hurt when talking about things like this because when these things go wrong it can feel as if you were hit in the sternum by a huge animal that's run for miles just to strike you.”