“Breathing involves a continual oscillation between exhaling and inhaling, offering ourselves to the world at one moment and drawing the world into ourselves at the next...”

“Such reciprocity is the very structure of perception. We experience the sensuous world only by rendering ourselves vulnerable to that world. Sensory perception is this ongoing interweavement: the terrain enters into us only to the extent that we allow ourselves to be taken up within that terrain.”

“...along with the other animals, the stones, the trees, and the clouds, we ourselves are characters within a huge story that is visibly unfolding all around us, participants within the vast imagination, or Dreaming, of the world.”

“How monotonous our speaking becomes when we speak only to ourselves! And how insulting to the other beings – to foraging black bears and twisted old cypresses – that no longer sense us talking to them, but only about them, as though they were not present in our world…Small wonder that rivers and forests no longer compel our focus or our fierce devotion. For we walk about such entities only behind their backs, as though they were not participant in our lives. Yet if we no longer call out to the moon slipping between the clouds, or whisper to the spider setting the silken struts of her web, well, then the numerous powers of this world will no longer address us – and if they still try, we will not likely hear them.”

“Fiercely intelligent, yet bearing a sensibility far more porous than most, Van Gogh was unable, or unwilling, to abstract his intellect from his body's reality, unwilling to abandon the myriad things, to tame his senses and so stifle the steady eros between his flesh and the flesh of the earth."Again and again he slides out of himself, through his eyes, to feel the hunkard silence of the olive groves, and to taste the spreading ecstasy of the leaves as they're slowly lit by the climbing sun. And again and again he is invaded, in turn, by the visible -- penetrated by the midday langor of the rolling wheat fields, or by the sullen mood of a neighbor's face. Although he writes often to his brother and a few friends (letters of luminous candor and kindness), it is only in the act of drawing and painting that he is able to give expression to this ongoing intercourse, by offering back to the visible a trace of what the visible steadily pours into his chest."His paintings, then, are windows through which we look onto an earth no less alive and intelligent than ourselves”

“We sleep, allowing gravity to hold us, allowing Earth- our larger body- to recalibrate our neurons, composting the keen encounters of our waking hours (the tensions and terrors of our individual days), stirring them back, as dreams, into the sleeping substance of our muscles. We give ourselves over to the influence of the breathing earth. Sleep is the shadow of the earth as it seeps into our skin and spreads throughout our limbs, dissolving our individual will into the thousand and one selves that compose it- cells, tissues, and organs taking their prime directives now from gravity and the wind- as residual bits of sunlight, caught in the long tangle of nerves, wander the drifting landscape of our earth-borne bodies like deer moving across the forested valleys.”

“There are so many unsung heroines and heroes at this broken moment in our collective story, so many courageous persons who, unbeknownst to themselves, are holding together the world by their resolute love or contagious joy. Although I do not know your names, I can feel you out there.”