“A representational photograph says, 'This is what Vienna looked like.' An interpretational photograph goes one better and says, 'This is what Vienna was like. This is how I felt about it.”
In this quote by David duChemin, the distinction between a representational photograph and an interpretational photograph is highlighted. While a representational photograph simply captures the visual aspect of a scene, an interpretational photograph conveys the photographer's emotions and perspectives about the subject. This quote underscores the power of photography to not only document reality but also to convey personal experiences and interpretations.
David duChemin's quote emphasizes the importance of interpretational photography in capturing not just appearances, but also emotions and perspectives. In today's visually-saturated society, where social media feeds are filled with representational photographs, the ability to convey personal interpretations through photography is more relevant than ever.
"A representational photograph says, 'This is what Vienna looked like.' An interpretational photograph goes one better and says, 'This is what Vienna was like. This is how I felt about it.” - David duChemin"
When looking at a photograph, do you find yourself more drawn to representational or interpretational images? How do you believe the photographer's personal interpretations and feelings about a subject influence the way we perceive the photograph? Can you think of a photograph that you interpret differently based on your own emotions or experiences?
“It’s the difference between your wife’s passport photograph and the portraits you took when you gotengaged. Both may have been created with similar technology, but what stands in that great gulf between them are the passion you have for your wife, the knowledge you have of her personality, and your willingness to use your craft, time, and energy to express that. One says, “She looks like this.” The other says, “This is who she is to me. It’s how I feel about her. See how amazing she is?”
“Photographers, like few other kinds of artists I can imagine, have an insanelypersonal relationship with their gear.”
“Photographing a culture in the here and now often means photographing the intersection of the present with the past.”
“The cliché comes not in what you shoot but in how you shoot it.”
“Take a moment. What was it you saw when you were moved to pick up the camera? I'm going to pretend I didn't hear you mutter something about thinking "it looked cool." Dig deeper. Was it a thought, a feeling, a simple moment when your eyes did a double-take at the intersection of two lines? Was it a lick of light, two blocks of color?”
“Anyone can take a picture of poverty; it’s easy to focus on the dirt and hurt of the poor. It’s much harder—and much more needful—to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.”