“Anyone can take a picture of poverty; it’s easy to focus on the dirt and hurt of the poor. It’s much harder—and much more needful—to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.”

“The body is soft, beautiful, vulnerable. It’s easy to threaten it. It’s easy to harm it. It takes next to nothing to cause pain, to draw blood, to break bones. Takes next to nothing to blast a body to bits. It’s much harder to protect it, she says, and much more important.”

“I would have practically done all my films in 3D. There is something that 3D gives to the picture that takes you into another land and you stay there and it’s a good place to be. (…) It’s like seeing a moving sculpture of the actor and it’s almost like a combination of theater and film combined and it immerses you in the story more. I saw audiences care about the people more. The minute it started people wanted three things: color, sound and depth. You want to recreate life.”

“It’s easy to criticize from the stands. What’s hard…is doing something.It’s not just that people like to criticize other people, it’s that they like to criticize other people when they haven’t achieved much themselves.”

“He said that some people can live from birth to death and have no more thoughts in their heads about the reasons for living than a beetle. But that we were different, he and I. We needed more than a clod of dirt to make our rising up and lying down worth something.”

“You are incredibly wise. (Kat)Only when it comes to other people. It’s easy to see how to fix their lives. It’s much harder to see the cracks in your own house. (Acheron)”