“That afternoon She listened to the grievances of the dead from two warring nations. Both sides had suffered, both sides had legitimate grievances, both pled their cases earnestly. She covered Her ears and moaned in misery. She knew Her humans were multidimensional and She could no longer live under the rigid architecture of Her youthful choices.”

David Eagleman

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“she felt that there was a tide within her, moving with the power of the moon and the ocean and the goddess, who had bound them together, rising, cresting within her heart untill she thought that she must weep, or laugh, or both. she felt her world shifting, remaking itself; holding on to all she was and all she known, but creating a space within these things for this man she was holding in her arms, so that he might share it with her, bringing to it all that he was and all that he had known. And in that instant, in the eternity of that kiss, Alayna knew, with a joy that she found frightening even as it encompassed her, that her life would never again be as it had been.”


“She used to pride herself on her refusal to see two sides of an argument, but increasingly she accepts that issues are more ambiguous and complicated than she once thought.”


“Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.”


“Is that not the perfect visual image of life and death? A fish flapping on the carpet, and a fish not flapping on the carpet. So powerful even a five-year old child with no concept of life and death knew what it meant. Not only did she know Emilio was dead, she knew she had killed him. So she comes running into my room, holding Emilio in both of her little hands - it was so cute - and she wanted me to make Emilio better. And I asked her, why did she step on Emilio? And she said, she didn't know. But I knew why. You didn't mean to hurt Emilio, you just wanted to see what would happen if you stepped on him, right?”


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“Another step had her backed up against the wall, and he braced his arms on both sides of her. "I'm beginning to look forward to this marriage, just so I can spend the rest of my life making you miserable."Alexandra was too angry to be intimidated. "Misery loves company, sweetheart," she shot back. "So don't think I'll be suffering mine alone." She slipped out from under his arm and marched out the door.”