“Contemporary fantasists all bow politely to Lord Tennyson and Papa Tolkien, then step around them to go back to the original texts for inspiration--and there are a lot of those texts. We have King Arthur and his gang in English; we've got Siegfried and Brunhild in German; Charlemagne and Roland in French; El Cid in Spanish; Sigurd the Volsung in Icelandic; and assorted 'myghtiest Knights on lyfe' in a half-dozen other cultures. Without shame, we pillage medieval romance for all we're worth.”

“Operating by trial and error mostly, we've evolved a tacitly agreed upon list of the elements that make for a good fantasy. The first decision the aspiring fantasist must make is theological. King Arthur and Charlemagne were Christians. Siegfried and Sigurd the Volsung were pagans. My personal view is that pagans write better stories. When a writer is having fun, it shows, and pagans have more fun than Christians. Let's scrape Horace's Dulche et utile off the plate before we even start the banquet. We're writing for fun, not to provide moral instruction. I had much more fun with the Belgariad/Malloreon than you did, because I know where all the jokes are.All right, then, for item number one, I chose paganism. (Note that Papa Tolkien, a devout Anglo-Catholic, took the same route.)”

“There's a peculiar dichotomy in the nature of almost anyone who calls himself a historian. Such scholars all piously assure us that they're telling us the real truth about what really happened, but if you turn any competent historian over and look at his damp underside, you'll find a storyteller, and you can believe me when I tell you that no storyteller's ever going to tell a story without a few embellishments. Add to that the fact that we've all got assorted political and theological preconceptions that are going to color what we write, and you'll begin to realize that no history of any event is entirely reliable...”

“...I know that in your heart you miss all those wonderful moments you spent with my father --watching him gnaw on the furniture, listening to his insane gibbering, and enjoying all those playful blows to the stomach and kicks to the head with which he demonstrated his affection for his wives.--King Urgit”

“I note this hound of thine, Sir Knight," he said to Garion to ease them past an embarrassing moment, "a bitch, I perceive--""Steady," Garion said firmly to the she-wolf. "That is a very offensive term," she growled."He didn't invent it. It's not his fault.""...Canst thou perhaps, Sir Knight, identify her breed?""She is a wolf, my Lord," Garion told him."A wolf!" the baron exclaimed, leaping to his feet. "We must flee ere the fearsome beast fall upon us and devour us."It was a bit ostentatious, but sometimes thing like that impress people. Garion reached down and scratched the wolf's ears."...Ones advises that you stop that," the wolf told him, "unless you have a paw to spare.""You wouldn't!" he exclaimed, snatching his hand back."But you're not entirely sure, are you?" She bared her teeth almost in a grin.”

“...I made some more threats. I've got this big knife back here." He poked his thumb over his shoulder. "It attracts a lot of attention sometimes.”

“Zakath's face grew thoughtful. "You know something, Garion?" he said. "Man thinks he owns the world, but we share it with all sorts of creatures who are indifferent to our overlordship. They have their own societies, and I supposed even their own cultures. They don't even pay attention to us, do you?""Only when we inconvenience them...It teaches us humility," Garion agreed.”