“It's really a very simple arrangement, little mother. He fully understands that either they get healthy, or he gets sick. That sort of encourages him to do his best.”
“An encouraged person will eventually get his drive from encouragement; he becomes more dependent. A person that never really receives encouragement learns to move out of spite; he becomes more independent.”
“I respect him. He has brains and character; and that, I may tell you, is a very unusual combination. I don't suppose you know what he is doing here, because I don't think he's very expansive with you. If any man singlehanded can put a stop to this frightful epidemic he's going to do it. He's doctoring the sick, cleaning the city up, trying to get the drinking water pure. He doesn't mind where he goes nor what he does. He's risking his life twenty times a day. He's got Colonel Yü in his pocket and he's induced him to put the troops at his disposal. He's even put a little plunk into the magistrate and the old man is really trying to do something. And the nuns at the convent swear by him. They think he's a hero.”
“Best hurry, he thought. Best get outa this weather. He wanted to die but he really didn't want to catch a cold to do it.”
“It is a matter of persisting. At a certain point on his path the absurd man is tempted. History is not lacking in either religions or prophets, even without gods. He is asked to leap. All he can reply is that he doesn't fully understand, that it is not obvious. Indeed, he does not want to do anything but what he fully understands. He is assured that this is the sin of pride, but he does not understand the notion of sin; that perhaps hell is in store, but he has not enough imagination to visualize that strange future; that he is losing immortal life, but that seems to him an idle consideration. An attempt is made to get him to admit his guilt. He feels innocent. To tell the truth, that is all he feels — his irreparable innocence. This is what allows him everything. Hence, what he demands of himself is to live solely with what he knows, to accommodate himself with what is, and to bring in nothing that is not certain. He is told that nothing is. But this at least is certainty. And it is with this that he is concerned: he wants to find out if it is possible to live without appeal.”
“He asked, "What makes a man a writer?" "Well," I said, "it's simple. You either get it down on paper, or jump off a bridge.”