“Everyone should get at least one good look at the eyes of a man who finds himself rising toward what he wants to pull down to himself.”

“Sometimes the newer kids who won’t even let him near them come in and set the resistance on the shoulder-pull at a weight greater than their own weight. The guru on the towel dispenser just sits there and smiles and doesn’t say anything. They hunker, then, and grimace, and try to pull the bar down, but, like, lo: the overweighted shoulder-pull becomes a chin-up. Up they go, their own bodies, toward the bar they’re trying to pull down. Everyone should get at least one good look at the eyes of a man who finds himself rising toward what he wants to pull down to himself.”

“In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls.”

“...we live in an era of terrible preoccupation with presentation and interpretation, one in which relations between who someone is and what he believes and how he "expresses himself" have been thrown into big time flux.”

“The boy, who did everything well and with a natural unslumped grace the wraith himself had always lacked, and whom the wraith had been so terribly eager to see and hear and let him (the son) know he was seen and heard, the son had become a steadily more and more hidden boy, toward the wraith's life's end; and no one else in the wraith and the boy's nuclear family would see or acknowledge this, the fact that the graceful and marvelous boy was disappearing, right before their eyes. They looked but did not see his invisibility.”

“Mr. Bloemker moved closer. He smelled like a wet diaper. “What is it,” he asked, looking over Lenore’s shoulder.“If it’s what I think it is,” said Lenore, “it’s a sort of joke. A what do you call it. An antinomy.”“An antinomy?”Lenore nodded. “Gramma really likes antinomies. I think this guy here,” looking down at the drawing on the back of the label, “is the barber who shaves all and only those who do not shave themselves.”Mr. Bloemker looked at her. “A barber?”“The big killer question,” Lenore said to the sheet of paper, “is supposed to be whether the barber shaves himself. I think that’s why his head’s exploded, here.”“Beg pardon?”“If he does, he doesn’t, and if he doesn’t, he does.”

“Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?""I give.""You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog.”