“Your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unaltert public defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately's got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color's never quite all the way solid is it's impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons.”

“The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.”

“Then the long nights, that were also days, in the hospital. And the long blanks, that were also nights. Needles, and angled glass rods to suck water through. Needles, and curious enamel wedges slid under your middle. Needles, and - needles and needles and needles. Like swarms of persistent mosquitoes with unbreakable drills. The way a pincushion feels, if it could feel. Or the target of a porcupine. Or a case of not just momentary but permanently endured static electricity after you scuff across a woolen rug and then put your finger on a light switch. Even food was a needle - a jab into a vein...("For The Rest Of Her Life")”

“You had no right. No right to stand in front of me.” He turned back now, his eyes vividly blue with temper that had gone from frigid to blaze. “No fucking right to risk yourself on my behalf”“Oh really. Is that so?” She stalked forward until they were toe to toe. “Okay, you tell me. You keep looking me dead in the eye and you tell me you wouldn’t have done the same if it was me in jeopardy.”“That’s entirely different.”“Why?” Her chin came up and her finger jabbed hard into his chest. “Because you have a penis?”

“Sometime on a bright blue day When everything is very clear And there are no wrinkles in the sky It's good to go to a quiet place And lie down on your back and look at the world Or put your face deep in the grass And your arms around the ground And remember how it was when you were little And remember you're still the same you Only you got bigger on the outside is all that happened.”

“Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people--and of towns, which they accustom us to believe are individual, unique like people--an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets.”