“and I discovered my limitations, and mainly I learned that there was a price to pay for that childhood (it turns out there’s no such thing as a free starvation), and that in the meantime the world had filled up with other children who hadn’t wasted all their strength on just surviving but had simply grown and opened and deepened, and that only in her innocent eyes could I still be considered worth anything.”

“I write. I give intimate private names to an external and foreign world. In a sense, I make it mine. In a sense, I return from feeling exiled and foreign to feeling at home. By doing so, I am already making a small change in what appeared to me earlier as unchangeable. Also, when I describe the impermeable arbitrariness that signs my destiny — arbitrariness at the hands of a human being, or arbitrariness at the hands of fate — I suddenly discover new nuances, subtleties. I discover that the mere act of writing about arbitrariness allows me to feel a freedom of movement in relation to it. That by merely facing up to arbitrariness I am granted freedom — maybe the only freedom a man may have against any arbitrariness: the freedom to put your tragedy into your own words. The freedom to express yourself differently, innovatively, before that which threatens to chain and bind one to arbitrariness and its limited, fossilizing definitions.”

“Only now, in rhythmic waves, was she struck by her stupidity, her blindness, her estheronautiness, and, above all, her longing, the insult of the power of her longing, and she knew very well that is was these shortcomings that had made her so eager to interweave in his story the threads of her secret dreams of candor and of painful, purifying honesty; of a generous togetherness in which everything was possible. For a moment, with all that had been spun and stabbed and defiled within her, her face took on the expression of a frightened, abandoned girl who lunges out to bite, who lives unimaginably close to the skin’s surface, ready to be drawn out like a final plan of retreat.”

“From the minute I saw you with the match in your hand I thought I could tell you anything on my mind.You'd be my model, but for words.”

“She seems to be resuscitating me from far away as soon as I start to weaken. I close my eyes and see myself fleeing from the bed to the mattress on the floor, and from there to the couch, and the rug, and Melanie following me sleepily from one place to the next. I shout that I can’t fall asleep within the magnetic field of another body, and she mumbles, half asleep, “Come on, try a little longer.” And so for a few bleary-eyes, sleepwalking weeks—and as if having no knowledge of it the next morning—she gave me the nocturnal portion of a withdrawal treatment from the loneliness: one night we spent a whole hour together, the next night two hours, then a week of regression and crisis as I tried to adapt to the horrific idea of a shared blanket. Until suddenly, out of utter exhaustion, I discovered that our bodies had already reached an agreement—even mine, the illiterate one, must have caught on, because one night I woke up from a deep sleep and realized how beautifully we turned over together in bed, embraced.”

“More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him.”

“I like to do things that frighten me. When I’m afraid, I understand more things. I want the feeling... All my instincts cry out against it, every morning anew. Then I say, ‘I should do it. If I don’t do it, no one will do it for me.”