“From the minute I saw you with the match in your hand I thought I could tell you anything on my mind.You'd be my model, but for words.”

“I write. I give intimate private names to an external and foreign world. In a sense, I make it mine. In a sense, I return from feeling exiled and foreign to feeling at home. By doing so, I am already making a small change in what appeared to me earlier as unchangeable. Also, when I describe the impermeable arbitrariness that signs my destiny — arbitrariness at the hands of a human being, or arbitrariness at the hands of fate — I suddenly discover new nuances, subtleties. I discover that the mere act of writing about arbitrariness allows me to feel a freedom of movement in relation to it. That by merely facing up to arbitrariness I am granted freedom — maybe the only freedom a man may have against any arbitrariness: the freedom to put your tragedy into your own words. The freedom to express yourself differently, innovatively, before that which threatens to chain and bind one to arbitrariness and its limited, fossilizing definitions.”

“and I discovered my limitations, and mainly I learned that there was a price to pay for that childhood (it turns out there’s no such thing as a free starvation), and that in the meantime the world had filled up with other children who hadn’t wasted all their strength on just surviving but had simply grown and opened and deepened, and that only in her innocent eyes could I still be considered worth anything.”

“and suddenly I am washed over by a wave of happiness for it, for my little story, because it is a place, a home even, and I can go back to it from wherever I am”

“More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him.”

“I write. I imagine. The act of imagining in itself enlivens me. I am not frozen and paralyzed before the predator. I invent characters. At times I feel as if I am digging up people from the ice in which reality enshrouded them, but maybe, more than anything else, it is myself that I am now digging up.”

“I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.”